#John berger ways of seeing sparknotes series#

BergerвЂ™s passage just forces on the change of peoples view and how the change will continue as technology increases. Each person has a different view however having the camera image can change a peopleвЂ™s perceptive and sometimes, missing a detail. An example is the cameras, they can change the meaning from the original causing the people to view differently. Berger states вЂњThe camera isolated momentary appearances and in so doing destroyed the ideas that images were timelessвЂ¦The invention of the camera changed the way men saw.The visible came to mean something different to them.This was immediately reflected in painting.вЂќ(pg 18.)Berger mentions how peoples perspective are changing due to the technology. Berger introduces the different work out art and examples ofВ art work however throughout showing the different perspective of seeing the artwork. He describes how our eyes are always moving and trying to figure out. Berger carefully describes the many ways of viewingВ the image and how our mind can trick us. The original piece, because it is so widely known, loses some of that 'mysteriousness' that Berger talked about- but the market value of the painting, because it is so popular, is extremely high.In the passage вЂњWays of SeeingвЂќ John Berger describes the the way of viewing the outside world and viewing into a deeper meaning.However, John Berger try to force on how our perspectivesВ have changed from before and now how it will continue to change.

In this case, the camera and remediation of the painting, made the painting extrememly popular, as well as the original.

This painting has become so popular that people try to recreate it, add their own touches to it, and even do things like design clothes with the painting on it.

It is debatably one of the world's most widely-known painting- even though only a select people have been to the museum in New York to see the original. This market value depends on it being genuine.' (1) This shows that while the invention of the camera and the ability to copy anything took its toll on the value of a painting, something- money and market value of an original- somewhat replaced this.ДЄn example of a painting that the camera and the possibility of recreating and copying the image made very popular is Van Gogh's starry night. It's become mysterious again because of it's market value. Berger talks about the fact that in original paintings, this loss of worth is often replaced by market value for being an original paintings acquired a new kind of impressiveness, but not because of what it shows, not because of the meaning of its image. There is no longer the feeling of impressiveness because you know it's the only one of it's kind- yes, there is the original still which holds the value, but since most valued paintings have copies and remakes because of the camera, it loses some of it's sense of worth. Berger also touches on the fact that paintings can be easily manipulated- a few reasons why is that there is no unfolding of time in paintings, just the one frame a painting's interpretation can be changed if it is accompanied by music and rhythm and the meaning of an image can be changed depending on what you view after or beside it.Д«ecause of the camera and the fact that any original piece of work can be photographed, copied, and placed virtually anywhere in the world, paintings have lost something. This messes with the 'value' of the painting. He moves on to consider the role of women in artwork. Berger first examines the relationship between seeing and knowing, discussing how our assumptions affect how we see a painting. It is comprised of seven different essays, three of which are pictorial and the other containing texts and images. He also talks a lot about how most original paintings have been recreated, copied, and distributed across the globe. Ways of Seeing is a key art-historical work that continues to provoke widespread debate. The invention of the camera changed perception of the world- it changed not only what we see but how we see it. Berger touches on the idea that beauty is in the eye of the beholder, and this makes the eye the center of the visible world.

#John berger ways of seeing sparknotes series#

The videos 'question the assumptions usually made about the tradition of European paintings' (1) The first episode in the series draws on Walter Benjamin's The Work of Art in the Age of Mechanical Reproduction, and the idea that the reproduction of art such as paintings separates the piece's modern context from the context of which the piece was created. Ways of Seeing is a four part BBC video series, created by John Berger and producer Mike Dibb in 1972.